Here's one of Scorsese's most visually dynamic DP's, Robert Richardson, on how meticulous and precise this type of camera movement really is. To take the point even further, Martin Scorsese will use the camera movement to almost mimic or replace the character’s reaction, as if the emotions of the character were able to govern the speed and direction of the camera move. To amplify character reactions, one of his go-to camera techniques is to move the camera towards or away from a subject. Scorsese knows that our connection to the story can be amplified by a specific camera movement. Martin Scorsese is well known for using large camera moves, pans, tilts, zooms, and ambitious camera placement to build a unique cinematic experience.
It was Richardson’s first experience using Super 35, and while he was initially concerned about the reduced resolution from cropping the.
If we see this, what don’t we see? Martin Scorsese Films Explained Camera techniques Robert Richardson shot Casino in Super 35 mm using Panavision Panaflex Gold, Panaflex Platinum, and Panastar cameras, all with Panavision Primo spherical lenses, framed at 2.39:1 for its theatrical release. A more practical interpretation begs a filmmaker to consider how to use performances, the sequencing of images, and the viewer’s imagination to build a robust and aggressive relationship with the overarching cinematic experience.
